Music Reviews
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My (current) Fave Bands with Less than 200k Listeners
One thing I love about going to live shows is finding new bands. Sure, I may be going for one band in particular, but I will dive into the others before the show every time. The thrill of finding new music and supporting smaller artists is just as, if not more, fun than the bigger ones. As one of my newer fave bands (The Funeral Portrait) just hit the 1 million listener milestone, I decided I wanted to highlight some of the smaller bands captivating my playlists.
5. POET the Band
I discovered POET the Band last week when I acquired tickets to see Savage Hands and Minute to Midnight. I knew both of the other bands – in fact Minute to Midnight is later in this list. Their sound is so good. I was shocked they only have less than 1,400 listeners. I would place them in the metal core category with a sound that makes me think of Versus Me and Memphis May Fire. Their entire EP theprolgue is a hit. Picking one for this purpose of this post was difficult, but I think I have to go with asabovesobelow.
4. nitelife
I had the pleasure of seeing nitelife live with Rain City Drive last fall. I say pleasure because these guys just put on a fun show. You can tell they love what they are doing. Billing themselves as “Soul Punk,” they are pretty unique in their sound compared to what I normally listen to. They have punk elements couched in soul beats and electronics. It gets you grooving.
3. Galleons
Galleons showed up randomly in my If Not For Me radio list one night. I have a habit of hearing a song and rabbit trailing through their artist page. The song that drew me in was DeLorean which opens with the line “I don’t want to be another memory, I want to be a haunting reminder.” Love it. The rest of the lyrics are haunting and sad set to an upbeat, punk rhythm. Casadastra is also high on my list of favorite Galloeons songs. Last thing, don’t sleep on their instrumentals…
2. Minute After Midnight
Minute After Midnight is another find through an artist radio. He doesn’t have a whole lot of songs – I counted 11 – but what he has is highly enjoyable. The newest release, Flames, hits all of my metal core boxes. Ghost, a bit more melodic than Flames, is the song that got me hooked. I highly recommend giving the whole Minute After Midnight catalogue a play through.
1. Oni
Oni was the opening band when I saw Pop Evil and Bad Wolves last fall. I love this find. The lyrics are powerful, the rhythms driving, and he puts on a good show. Control takes the top of the list for me, but I would be remiss if I didn’t share the latest single, Shouldn’t Feel This Way. If you want a song that makes you feel all of the feels, this song is for you. Very few songs have elicited such a visceral reaction out of me. There may have been tears. As the lead singer for Pop Evil said: This band is going places.
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Fresh Friday Music Drops
Fridays are always fun. New albums drop, my release radar (usually) updates on Spotify, and alerts go out for new music videos. This week seemed extra busy for new drops. Enjoy some of my favorite finds for the week.
New Albums
Shapeshifter by Memphis May Fire
– I love this album, and will have a full review coming very soon. (Probably writing and scheduling it after this one…) Favorite song so far: Chaotic.Carnal – Deluxe Edition (5 new versions of songs!) by NOTHING MORE
– This is a re-release of Carnal with one new song, 3 remixes, and 1 live version. To be completely honest, I may like the JD Remix of Angel Song better than the original.The Place After This One – Underoath
– I haven’t had a chance to do a full listen on this one yet, but I plan to dive in soon. That said, Underoath performed Generation No Surrender when I saw them live in November, and it’s just a fun song to see live with a lot of crowd engagement.New Singles
Sleep Now in the Fire – Sum41
– Add this one to my list of incredible covers.Up From the Bottom – Linkin Park
– Very much continuing the new Linkin Park vibe.Rabbit Hole, Coward Pt. 1 – Chevelle
– First new Chevelle in 4 years, and I am digging it.Sweet Child O’ Mine – Emo Version – Todd Barriage
– My husband found this song and shared it with me. I’ve not really heard any music of his before. He seems to be primarily a cover artist. Normally, I wouldn’t include this here, but this cover is just too perfect not to share.New Music Videos
Holy Water, Ft Ivan Moody (Five Finger Death Punch) – The Funeral Portrait
– Always love me some TFP.Shouldn’t Feel This Way – Oni
– This song is just beautiful. The emotions are so raw. You can just feel it. -
Nevertake Reviews Personally
Today at midnight, Anberlin dropped the album Nevertake – a full rerecording of the album Never Take Friendship Personally with new touring lead singer Matty Mullins. The original lead singer of Anberlin, Stephen Christian, said he was taking an indefinite hiatus from touring with Anberlin in 2023. He hand-picked Matty Mullins of Memphis May Fire to replace him on the tour.
However, since then, the band has released several songs featuring Mullins on lead vocals. Two of the songs on the most recent album, 2024’s Vega, featured Mullins as the lead vocal. The newest single, High Stakes, also features Mullins on lead vocals.
Anberlin is currently in the middle of touring the 20th anniversary of Never Take Friendship Personal. I had the pleasure of seeing the show early in the tour in February. It was my first time seeing Anberlin with Mullins as lead and the show did not disappoint. I was honestly nervous about how the show would sound without Christian, the vocals of my young adulthood. (Enjoy some pictures of the show throughout the review.)
This review is not about this show though that information does provide context. To say I was caught offguard when I found out Nevertake was a full rerecord with Mullins is an understatement. I knew Mullins would be the touring voice, and he is obviously providing vocals on some of the new songs, but this almost seems a step further away from Christian’s involvement in the band.
Furthermore, I have a confession…
I like Nevertake better. Like, a lot better.
I sat and made a playlist of both albums interwoven – original, new, original, new – to truly see where the differences were. After a play-through, I focused on my favorites from the album: Paperthin Hymn, (The Symphony of) Blase, and – naturally – The/A Feel Good Drag (which has the change of “the” to “a” in the re-release).
In all of them, I like the Mullins version better – especially A Feel Good Drag. I sat and thought about why. Was it just the vocals? I tend to gravitate towards heavier vocals in my music. Truth be told, while I love Anberlin, they are probably my husband’s top band ever. Christian’s vocals are softer and more melodic than Mullins’ heavier, more driving vocal style.
It’s not just the vocals though. The guitars are more vivid, the drums more pronounced. Maybe it’s a comparison of 2005 recording vs 2025 recordings, but the original music seems more muted to match Christian’s softer vocals. The new recordings seem to match the heavier direction the band wants to take.
But don’t take my word that this is the direction the band is going. During the show we attended, Mullins made it very clear that the heavier sound is all belonging to the remaining members of Anberlin. The new song he most had influence over is High Stakes and he wanted it to have a more pop-rock sound in-line of old school Anberlin.
This rerecord seems to leave a slew of questions in it’s wake for fans of Anberlin. What role does Christian play in the band going forward? Is Mullins the true future of Anberlin or is he an addition? The band photos all feature Mullins and Christian – seeming to point towards a combined future. The artist bylines on Nevertake are all “Anberlin, Matty Mullins” – indicating he is not a full-fledged member of Anberlin. Will we ever have a situation similar to the new Three Days Grace with two leader singers?
While the future of Anberlin seems unclear, I can say a few things with certainty: Matty Mullins is a perfect addition, I love the direction they are headed, and Nevertake is well worth the listen.
(Even if I feel a little guilty at liking Nevertake more than the original.)
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5 Metal Covers Better Than the Originals
It’s not secret that I am a huge metal/punk fan. My musical tastes tend to go deep rather than wide, so it’s not uncommon for me to find the metal cover of popular pop songs to be better than the originals. I know…that’s just, like, my opinion.
Stepping aside from my own biases, there are some covers that truly outrank their originals in my opinion. The emotion is ramped up, the vocals more driven, and the guitars more epic. Don’t just take my word for it. Have a listen and see for yourself.
5. Bad Romance by Halestorm
It is no secret that Lzzy Hale has vocal prowess for days. I have had the privilege of attending a Halestorm concert and her vocals are just…wow. Therefore, it comes as no surprise that Halestorm knocks Bad Romance by Lady Gaga out of the park. Lzzy’s powerful and angry vocals align perfectly with the feel of the song. The driving guitar is the cherry on the top of this incredible cover.
4. Bye, Bye, Bye by Further Seems Forever
This cover, admittedly, may be tainted by a bit of nostalgia. What millennial didn’t have their high school days filled with the over-the-top boy band craze. I was a metal head then as well, but my friends? Not so much. Therefore, ear-worms such as Bye, Bye, Bye were unavoidable. When I first heard this cover by Further Seems Forever on a Pop Goes Punk album, it was a true marriage of my love of metal and my memories of my best friend in high school, who swore up an down she would marry Lance Bass. (If we only knew…)
3. Smooth Criminal by Alien Ant Farm
This one almost was placed in the #2 slot simply because it may be one of the oldest covers in my playlist. While it’s hard to argue with the “King of Pop” himself, Smooth Criminal performed by Further Seems Forever wins the original vs cover hands down. Jackson’s version lacks the power captured in the cover. The beats and riffs are more noticeable and catchy in the cover, while they tend to blend together in the original. Let’s just say, when I went to compare the two, I barely even recognized the Jackson version given the preference of the Further Seems Forever cover on mainstream radio stations.
2. Careless Whisper by Seether
Growing up, my mom was a pretty decent George Michael fan. I heard Careless Whisper so many times growing up, I already knew the lyrics the first time I listened to the Seether cover. As with Bye, Bye, Bye, nostalgia may play a bit in this one being placed #2. That said, don’t let that bias discount how truly incredible this cover is. Seether replaces the haunting sax of the original with power electric guitar riffs equally as haunting. My favorite part of the entire cover is the bridge. The power and emotion in the vocals hits in all the right places leaving you feeling all of the anguish the songwriter intended.
1. Blank Space by I Prevail
When everyone you know is a Swiftie, you hear plenty of Taylor Swift songs. I’ve tried. I’ve really tried hop aboard the Swift train, but, try as I might, I just can’t. There are parts of her songs I like. Lyrics here, riffs there, but, as a whole, I just haven’t found the magic pull everyone else seems to find. Furthermore, in the effort of full transparency, I fell in love with this cover before I ever knew it was a Taylor Swift song. I knew I recognized it, and couldn’t place it. This one wins the top spot of a cover better than the original for finally making me like a Taylor Swift song.
Fun side note, the guys of I Prevail hate performing this song. They made that crystal clear when I saw them in concert and they performed it, but it is so highly requested, they give us the show we want anyway.